C O L U M N S
Tales from the Jugular
Made in England: Desolation AngelsBand: Desolation Angels
Album: Desolation Angels
Label/Year: Thameside Records 1986/Rock Brigade Records 1987
If anyone knows the struggle of trying to search for one of the greatest anomalies in
the Essex area and finding nothing but Bad Company references and releases, you know I
must be talking about Desolation Angels.
Just as drawing the wrong tarot card would reveal an unmerciful fate, Bullet ceased operation, mainly because of their distribution network thus putting a screeching halt on the debuts release. Due to Thameside Records financial connection to Bullet Records, the begrudged band carried on and the album was released the following year. The opening track, Spirit of the Deep, successfully encompasses deep dark themes, all the while revving up with eerily strung guitar harmonies, smashing cymbals, thunderous toms and bass...saving the last but not least, the often dreaded cow bell! The powerful yet melodic vocal approach from Dave Wall commands the listeners attention while Joe Larners bass fills stand competent from start to finish. Songs like Unsung Hero (a straight forward main riff rocker) are just as common and hard as any other NWOBHM track; the majority of the album sends the listener off into a supernatural wide awake dream. Death Machine, being one of the more notable tracks on the album displays one of the most weird and unique fuzz magic guitar tones of the movement. Is it a talk box-some sort of bizarre reverb/echo effect? While some press referred to the album as tedious, it really is a consistent slab of Heavy Metal from beginning to end, one of the most underrated records of the time period and one of my personal favorites. Interestingly enough, all but the revolving door that was the drummer are pictured and credited on the back sleeve; an ominous hand drawn picture of the band along with a skeleton, sans drummer. Maybe the Grim Reaper doesn't care for cow bell.
Possibly due to the lengthy time period of the album release and the average listener not giving the longer songs more of a chance, Desolation Angels surprisingly all headed to California to tempt their career once again at a bigger market and with a more accessible, stripped down sound with the release of two more demos. The crowds were there in and around the East End. But how much success could be made in America? The full album, While the Flame Still Burns along with the English Bastards EP were recorded but only released in small quantities, sometimes listed as a demo release. The earlier description is true as the shorter songs and a cleaner production is obvious and even showcases some wild high pitched vocals at times. L.A.s Glam Metal was coming to a close at this point and the Seattle/Nirvana scene was beginning by the early 1990s. As their song Angry Rain somberly states, all things must come to an end, such was the final demise of Desolation Angels as the band all flew back home from America for one short-lived final attempt.
Thankfully, all was not over as the resurgence of the NWOBHM granted a limited pressing 5 disc/5LP box set entitled Feels like Thunder in 2008 (which now seems sold out and almost as hard to obtain as anything else) quite possibly containing all recorded DA material up until that point. A reformed Desolation Angels, featuring original guitar players Keith Sharp and Robin Brancher have been conjured from the depths of the deep along with vocalist Ian Davies, bassist Clive Pearson and drummer Chris Takka. I guess its safe to mention at least one Desolation Angels drummer at this point. The new EP (Sweeter the Meat?) was released in 2014 and the band seems to be having success in this nowadays NWOBHM comeback. Im only upset that the skeleton drummer couldnt join them in their return to glory
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