F U L L . R E V I E W S
The cabalistic shenanigans continue for Charlotte's purveyors of swanky doom with "Under Satan's Sun". Much like the band's previous outing, "Spiritual Relics" (2013), vocalist Anders Manga is oracular from his pulpit as he dabbles in 70s mysticism and pop culture. Opener "The Town That Dreaded Sundown", based on the 1946 phantom murders and documenting film of the same name, prances eerily around Alice Cooper and Blue Oyster Cult. The band's writing style is similar to John Shirley's contributions for Blue Oyster Cult (i.e. "Harvest Moon"). That same creepy melody and storytelling permeates "Death Do Us Part" and "Welcome to the Horror Show", both delivered with grunge-thick string buzz. It isn't as foggy on more up-tempo cuts like "Dead Man's Shadow on a Wall", "The Necromancer" and "Spearhead". Although still dressed for the part, these tracks represent a more empirical approach of chugging, heavily distorted guitar. "The Last Alarm" is the most exploratory, like a strange marriage of Christian Death and White Zombie. With their medieval devices, arcane symbols and strange tales, Bloody Hammers could be the most compelling band in America.
About this Writer:
Eric Compton // Eric Compton lives in the most haunted city in the world, St. Augustine, Florida with his family and two yorkies. He has contributed to MaximumMetal.com since it's conception in 2003. His reviews, interviews and social commentary has been featured on websites like Brave Words, Blabbermouth, Metal Temple, Metal Rules, Ultimate Metal, Metal Maniacs and Wikipedia. You can also find him on his paperbackwarrior.com blog discussing all things action and adventure.
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