F U L L . R E V I E W S



Corrosion of Conformity
IX

Company: Candlelight
Release: 2014
Genre: Doom, sludge, hardcore punk
Reviewer: Vinaya

  • Something for COC fans of all eras



  • Funny how this worked out: just months after the three-piece incarnation of COC unleashes an album that finds them truly coming into their own after the departure of longtime guitarist/vocalist Pepper Keenan, it seems ol' Pepper will be rejoining them next year, thus resurrecting the much loved Deliverance/Wiseblood lineup. And as much as I'm loving that news, I'm also feeling that something might be lost in the process. Because after delivering a fairly enjoyable self-titled album that was a partial throwback to their hardcore roots, plus a decent EP of slightly sludgier stuff, the Pepper-less lineup of COC finally seem to have found a direction that truly fits them on IX.

    Combining a liberal dose of the sludgy Sabbath/Trouble riffing that began to show up again on the Megalodon EP (after having tapered off somewhat since Wiseblood) with the odd bit of hardcore-influenced chaos (sometimes in the same song, as in "Tarquinius Superbus"), IX is solid, enjoyable and musically interesting largely because of this mixture. "The Nectar" and the aforementioned "Tarquinius..." are perfect examples of this, veering from fast, frantic and simplistic power chording to slow, sludgy and rhythmically smart Sabbath-influenced riffing. Woody Weatherman has long been a tasty, articulate lead guitarist, and with no other other guitarist in the band (plus a decent amount of open space in the music), he truly comes into his own, tearing off more impressive lead work than he's usually had the opportunity to do on a single album in the past.

    To my mind, the album's crowning moments come after the pleasant, mellow instrumental interlude called, um, "Interlude." It's then that "On Your Way" kicks in with some sludgy power chords and then a snaky single-note riff that is among the album's catchiest. Then, "Trucker" (which at first sounds more stoner than trucker) lopes into view with a long, mellow, slow-paced jam that then makes way for a simple but effective and super-catchy uptempo riff that drives much of the rest of the song. And if you want a serious throwback to metal's glorious beginnings, check out "The Hangman," with its opening siren noise and slow, crushing 12/8 intro groove, which bears a more than slight (most likely intentional) similarity to "Luke's Wall"- aka the instrumental intro to Black Sabbath's "War Pigs." Gotta love it! And like Sabbath, COC mix a bit of jamming in with their sludgy riffs, making much of this album seem like the product of really fruitful and fun jam sessions, with the band clearly beginning to enjoy and revel in their power trio status. Factor in the aforementioned hardcore punk touches, and you've got something for COC fans of all eras, even if it's often scrambled together into a single complex concoction rather than being served in separate bits for lovers of each flavor to enjoy in isolation from the others.


    About this Writer:
    Vinaya Saksena // Vinaya is either a writer who dabbles in guitar playing, or a guitar player who dabbles in writing. A Maximum Metal staffer since 2004, he has also served as a reporter for several newspapers in Rhode Island and Massachusetts. Although his obsession with music is such that it does not allow time for much else by way of hobbies, he also enjoys traveling, trivia, photography, British comedy and the occasional A-Team re-run.

    Maximum Metal Rating Legend - Click for Full Details
    5 Excellent - Buy it and say a prayer to the metal gods that you were tuned on to this masterpiece. A classic.
    4-4.5 Great - Almost perfect records but there's probably a clunker or a lacking somewhere to keep it from perfection. You won't feel bad about dropping some bones on these.
    3.5 Good - Most of the record is good, but there may be some filler. This is the OK range where you'd search for the record on sale or used.
    3 Average - Some good songs, some bad ones at about a half/half ratio. Could show skills but be dull overall. Redeeming qualities for indy bands are effort and passion. Majors that don't try or suck outright end up here.
    2-2.5 Fair - Worth a listen, but best obtained by collectors. There is much better metal out there.
    1-1.5 Bad - Major problems with music, lyrics, production, etc.
    0 Terrible or an otherwise waste of your life and time.

    Note: Reviews are graded from 0-5, anything higher or not showing is from our old style. Scores, however, do not reveal the important features. The written review that accompanies the ratings is the best source of information regarding the music on our site. Reviewing is opinionated, not a qualitative science, so scores are personal to the reviewer and could reflect anything from being technically brilliant to gloriously cheesy fun.

    Demos and independent releases get some slack since the bands are often spent broke supporting themselves and trying to improve. Major releases usually have big financial backing, so they may be judged by a heavier hand. All scores can be eventually adjusted up or down by comparison of subsequent releases by the same band. We attempt to keep biases out of reviews and be advocates of the consumer without the undo influence of any band, label, management, promoter, etc.

    The best way to determine how much you may like certain music is to listen to it yourself.



    ALL FULL REVIEWS FOR: CORROSION OF CONFORMITY
    CD
    TITLE BAND
    DOR
    REVIEWER DATE
    In The Arms of GodCorrosion Of Conformity
    2005
    Susan Wright3/17/2005
    IXCorrosion Of Conformity
    2014
    Vinaya Saksena1/7/2015
    No Cross No CrownCorrosion Of Conformity
    2018
    Eric Compton1/5/2018


    ALL SUMMARY REVIEWS FOR: CORROSION OF CONFORMITY

    No Summary reviews currently exist for them.


    ALL INTERVIEWS FOR: CORROSION OF CONFORMITY
    INTERVIEW BAND INTERVIEWER DATE
    Woody WeathermanCorrosion Of ConformitySusan Wright3/8/2005


    YOU MAY ALSO LIKE THESE DOOM/STONER STYLED RELEASES:


    << back >>






    ERIC COMPTON PICKS
    Halloween
    Victims Of The Night
    Mr. Big
    Defying Gravity
    Astral Doors
    Black Eyed Children
    Burn Halo
    Up From The Ashes
    Axel Rudi Pell
    The Crest

    GREG WATSON PICKS
    Next To None
    A Light in the Dark
    Orden Ogan
    To The End
    White Wizzard
    Over The Top
    Noire
    The Tracks of the Haunted
    The Unguided
    Lust and Loathing

    FRANK HILL PICKS
    Queensryche
    Condition Hüman
    ASG
    Win Us Over
    Helloween
    Gambling with the Devil
    Overkill
    The Grinding Wheel
    Metallica
    Death Magnetic

    DAVID LOVELESS PICKS
    Ulcerate
    The Destroyers Of All
    Marduk
    Frontschwein
    Decapitated
    Human's Dust
    Doom Side Of The Moon
    Doom Side Of The Moon
    Sanctuary
    Inception