Navigate: main >> reviews
F U L L . R E V I E W S


Cult of Daath - The Grand Torturers of Hell - 2006 - Deathgasm Records

Track Listing
1. Tyrant
2. Temple of the Sadist
3. Summoning the Bloodred Moon
4. Ritualistic Impurity
5. Sadomatic Rites (Beherit cover)
6. The Feasting Pits
7. Uphold the Oath of Evil
8. Terror Command
Of the seven tracks on ‘The Grand Torturers of Hell’, the first six all begin with the plaintive cry of guitar feedback followed by a cymbal count-off. All of the first four are almost perfect replicas of each other, at least for the first five seconds. In fact, the correlation is so close that I had to double check on more than one occasion that I was listening to a different track, and that it was not simply another version of the song just played.

From these few hints, the genre of this Cult of Daath debut LP should be obvious. This, friends, is black metal. ‘The Grand Torturers of Hell’ was originally released in 2001, apparently limited to the traditional 666 copies, but under the active auspices of Deathgasm Records it has been repressed (not re-mastered, Satan forfend) with new cover art and a bonus track.

Cult of Daath play a conventionally American form of black metal, with the lo-fi production, tremolo riffs, prominent bass lines, and grungy atmosphere we have come to expect from this style. To their credit, Cult of Daath were playing this style when Leviathan, Xasthur, and the rest of that California scene were still on training wheels (or training paint, more appropriately). In fact, ‘The Grand Torturers of Hell’ could be the Cult’s most appealing work, deserving of its re-release if not necessarily the cult status it is claimed to enjoy. Though far from exciting or unusual, this album is significant for much the same reason early (i.e. true) punk is—it may not be good or pretty, but at least its consistent and honest.

All the songs are rather simply constructed and slam through their riffs at a lively pace, with drums set to either black metal blast or one-two. The production is appropriate for the setting: not quite muddy but neither crystal clear, with a hint of deep echo to the vocals. It is a formula that can appeal to every black metal, from the ambiguous new schoolers to the Ildjarn traditionalists (check out ‘Feasting Pits’ as a 21st century ‘Midnight Interval’)

In what was likely as much a fortuitous accident as an intentional effort, Cult of Daath have captured nearly all the traits that have turned so-called USBM into a major label phenomenon. And, for what it's worth to ye old timers, their cover of Beherit’s ‘Sadomatic Rites’ is worth revisiting, as is the grisly cover art, now fully colorized.



--Etiam 02.22.07

Maximum Metal Rating Legend - Click for Full Details
5 Excellent - Buy it and say a prayer to the metal gods that you were tuned on to this masterpiece. A classic.
4-4.5 Great - Almost perfect records but there's probably a clunker or a lacking somewhere to keep it from perfection. You won't feel bad about dropping some bones on these.
3.5 Good - Most of the record is good, but there may be some filler. This is the OK range where you'd search for the record on sale or used.
3 Average - Some good songs, some bad ones at about a half/half ratio. Could show skills but be dull overall. Redeeming qualities for indy bands are effort and passion. Majors that don't try or suck outright end up here.
2-2.5 Fair - Worth a listen, but best obtained by collectors. There is much better metal out there.
1-1.5 Bad - Major problems with music, lyrics, production, etc.
0 Terrible or an otherwise waste of your life and time.

Note: Reviews are graded from 0-5, anything higher or not showing is from our old style. Scores, however, do not reveal the important features. The written review that accompanies the ratings is the best source of information regarding the music on our site. Reviewing is opinionated, not a qualitative science, so scores are personal to the reviewer and could reflect anything from being technically brilliant to gloriously cheesy fun.

Demos and independent releases get some slack since the bands are often spent broke supporting themselves and trying to improve. Major releases usually have big financial backing, so they may be judged by a heavier hand. All scores can be eventually adjusted up or down by comparison of subsequent releases by the same band. We attempt to keep biases out of reviews and be advocates of the consumer without the undo influence of any band, label, management, promoter, etc.

The best way to determine how much you may like certain music is to listen to it yourself.



ALL FULL REVIEWS FOR: CULT OF DAATH
CD
TITLE BAND
DOR
REVIEWER DATE
The Grand Torturers of HellCult of Daath
2006
Etiam2/23/2007


ALL SUMMARY REVIEWS FOR: CULT OF DAATH

No Summary reviews currently exist for them.


ALL INTERVIEWS FOR: CULT OF DAATH
INTERVIEW BAND INTERVIEWER DATE


YOU MAY ALSO LIKE THESE BLACK STYLED RELEASES:


<< back >>






ERIC COMPTON PICKS
Loudness
Eve To Dawn
Grave Digger
Healed by Metal
Primal Fear
Delivering The Black
Nasty Idols
Boys Town
Saxon
Call To Arms

GREG WATSON PICKS
Texas in July
Bloodwork
My Own Grave
Necrology
Dead Alone
Nemesis
Corpus Diavolis
Atra Lumen
Clark Ashton Smith
Inferno

FRANK HILL PICKS
Five Finger Death Punch
The Way of the Fist
Overkill
The Grinding Wheel
Gamma Ray
Land Of The Free II
In Flames
The Mirror's Truth
Biomechanical
Cannabalised

DAVID LOVELESS PICKS
Earthrise
Eras Lost
Depressed Mode
Ghosts of Devotion
Aetherius Obscuritas
Viziok
Sepultura
Machine Messiah
Galactic Empire
Galactic Empire