F U L L . R E V I E W S
Fireaxe - Victory Or Death 2003 Indy Release
reviewed by: EC
The idea for Fireaxe came from an individual named Brian Voth. Voth had the idea of creating an album that would span the entire history of warfare on Earth, three thousand years of war and pain if you will. With "Victory Or Death", Voth has trimmed the three discs down to nine cuts, from which I assume he feels are the best representation of material found on "Food For The Gods". I find it very interesting that Brian Voth plays all the instruments on this release. Voth proves that he is quite the mastermind, learning each instrument from scratch, recording, singing, and writing the songs that depict the ultimate in human emotion, warfare, in all its painstaking glory and burden. Voth does a wonderful job here delivering his message for mankind, with heavy metal the backdrop for his human life paintings. For the experienced metal listener, this album is on the same side of the tracks as Manowar and Virgin Steele, with a slight smudge of progressive metal ala Lethal, Psycho Drama, and the ever present Fates Warning. For the inexperienced metal listener, well, this could be a great introduction to modern age power metal.
Fireaxe doesn't quite have the same charm as supergroups like Manowar and Savatage, but at the same time it gives me great pleasure to think of a heavy metal fan creating his own metal album from scratch. Voth really plays every instrument, sort of making himself musically from the same mold as legendary metal men like Jeff Waters and Peter Tagtgren. Voth does not play drums, instead bringing in a machine to complete the recording, but taking the time to program the drums for plenty of fills and changes.
Fireaxe brings to life "Victory Or Death" with classic tracks like the stormy opener "Failures Of The Fathers", with Voth singing in the same style as Klaus Meine (Scorpions), crossed with the screaming highs of Manowar's Eric Adams. "Chariot" rolls along in a furious crescendo, with Voth showing off a fuzzy, grinding guitar sound, with a crunchy bass in the background. "Guardian of the Realm" adds some keyboard elements, making it one of the slower tracks of the release. I really enjoyed the rather barbaric sounding "Cut Or Be Cut", which shows the high falsetto vocals that Voth seems to pull off so well.
I'm not so sure that this is an album that I could continually pull off the shelf, but it is a decent listen throughout. I'm can't say if I would need three discs of this type of record, but "Victory Or Death" narrows the songs down a bit for me. My main concern with the record is how many lyrics the record has. It seems like Voth never really allows the songs to breathe, instead constantly singing new verses or going back to the chorus. I like my songs to be a little less wordy, but nevertheless, this is still a really good effort.
Note-This may have one of the worst album covers I've ever seen. I can't tell if the character on the cover is a motorcross rider or a knight.
The production was off a bit for me, specifically the loud distortion on the bass, but Voth makes up for it with a passion for metal that really comes across. Hails to ya, brother. Check out his detailed song write-ups at: http://www.neptune.net/~bev/FireVD.html
About this Writer:
Eric Compton // Eric Compton lives in the most haunted city in the world, St. Augustine, Florida with his family and two yorkies. He has served as senior editor for MaximumMetal.com for nearly 10 years and is the author of the heavy metal book series--Denim & Letters. His reviews, interviews and social commentary has been featured on websites like Brave Words, Blabbermouth, Metal Temple, Metal Rules, Ultimate Metal, Metal Maniacs and Wikipedia.
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