Navigate: main >> reviews
F U L L . R E V I E W S


Ghost
Meliora




Company: Loma Vista
Release: 2015
Genre: Progressive, hard rock
Reviewer: T. Ray Verteramo

  • The songs stay with you



  • I have a serious "love/hate" thing with Ghost. I am in love with this damn album and I hate them for it.

    What is this circus, formerly known as Ghost B.C.? They're all about the show and never denied it. They do this "ministry" thing and their "message" and their whatever. Their music structure of choice is usually a patchwork quilt of riffs and queer tempo changes, hooks, and chord progressions soldered together. Their singer sounds like a "Michael Stipe-semi-sound-alike" in a hat. Essentially, on the surface, they're pretty much just a joke without a punch-line, a hipster salad, and a novelty.

    Except they're not.

    All of these tracks, very much like Ghost and Ghost BC of the past five years, have a very loose sense of continuity. There are limited aspects that tie one phrase from the next; you get into one groove, then another will slip the rug out from under it. It is typically very difficult to grasp anything in genuine chaos, because as human beings, we thrive in patterns and rhythm. Repetition triggers our survival mechanism that something is working, whether it be a machine, a schedule, a heartbeat, or a piece of art. So, when we are presented with organized noises that give the impression that they have been cut and pasted, the first instinct is to repel. But, there's something salacious about their presence that triggers an impulse to instruct you otherwise.

    With this particular project, "Meliora," it's apparent that they were aiming for a more metropolitan avant garde angle, while driving the guitars a little harder. This would seem very much like trying to pair socks with sandals and make it look good, if anyone else dared. "What the hell is this?" but then you listen…really listen and start to hear the staples that hold the patches together and begin see the whole picture. So, what first strikes you as ridiculous becomes brilliant.

    Those who are always screaming, "There's nothing new! There's nothing good anymore!" are usually the ones still keeping the same 10 cd's in the changer from grade school. Well, prog isn't meant to be pretty or easily understood. It's the stuff that makes the new stuff new, propels the medium forward, and provides the sparks for others to ignite from.

    Somewhere under the paint and the masks are no clowns, but skilled craftsmen. A layman may not be able to understand the consistency, but they do. They get it and they don't compromise and that's what makes them Metal. Perhaps they really are scary to some, but at the very least, curious. I suspect that's what initially signs their checks…

    But, then, you listen to that bass intro to "Pinnacle to the Pit," and it sticks like good pasta in the ribs. Over the deep, watery tones, the lulling alto voice of Papa Emeritus III hypnotically surfs upon the surface before the notes skillfully stumbles upon themselves in the chorus. It's awkward and mesmerizing. Further listening, "Cirice" emotes haunting words like, "I can hear the thunder that's breaking in your heart / I can see through the scars inside you," tap into something divinely human, unnervingly personal, and almost invasive. You find yourself listening to "He Is," without that usual gag reflex from hearing that modern Evangelical pop hymn rock because of its sinister mockery perfection. The power of "Mummy Dust" compels you, in spite of its weirdness. And though they make double-sided claims to where their ideologies lie (or don't), "Majesty" and "Deus in Absentia" are both very convincing.

    Gimmick or not, as artists and musicians, they are effective. The songs stay with you. Your ego may hate it, but your id can't get enough.

    I want to hate this band so much. I want to chuck the very memory of them into the oubliette of bad gimmicks to be forgotten…as soon as I listen to this damn album one more, twice, twenty more times. Resistance is futile. Then again, who's to say that the resistance isn't part of the fun? After all, couldn't the prick of the needle be just as addictive as the shot? Hate ‘em or love ‘em, "Meliora" gives you wings…those bastards.




    About this Writer:
    T. Ray Verteramo // T. Ray is a product of New York Mediterranean upbringing, discovering Alice Cooper before puberty, and Iron Maiden after. Taken underwing by the former managing editor of Hit Parader magazine in 1985, she took to freelancing, writing up the local and national circuit for 7 years. A new millennium, a published dystopic thriller, and a CNN article on life in metal in the 80's later, she's been thrown back to the wolves, into a much darker and deeper part of the forest.

    Maximum Metal Rating Legend - Click for Full Details
    5 Excellent - Buy it and say a prayer to the metal gods that you were tuned on to this masterpiece. A classic.
    4-4.5 Great - Almost perfect records but there's probably a clunker or a lacking somewhere to keep it from perfection. You won't feel bad about dropping some bones on these.
    3.5 Good - Most of the record is good, but there may be some filler. This is the OK range where you'd search for the record on sale or used.
    3 Average - Some good songs, some bad ones at about a half/half ratio. Could show skills but be dull overall. Redeeming qualities for indy bands are effort and passion. Majors that don't try or suck outright end up here.
    2-2.5 Fair - Worth a listen, but best obtained by collectors. There is much better metal out there.
    1-1.5 Bad - Major problems with music, lyrics, production, etc.
    0 Terrible or an otherwise waste of your life and time.

    Note: Reviews are graded from 0-5, anything higher or not showing is from our old style. Scores, however, do not reveal the important features. The written review that accompanies the ratings is the best source of information regarding the music on our site. Reviewing is opinionated, not a qualitative science, so scores are personal to the reviewer and could reflect anything from being technically brilliant to gloriously cheesy fun.

    Demos and independent releases get some slack since the bands are often spent broke supporting themselves and trying to improve. Major releases usually have big financial backing, so they may be judged by a heavier hand. All scores can be eventually adjusted up or down by comparison of subsequent releases by the same band. We attempt to keep biases out of reviews and be advocates of the consumer without the undo influence of any band, label, management, promoter, etc.

    The best way to determine how much you may like certain music is to listen to it yourself.



    ALL FULL REVIEWS FOR: GHOST
    CD
    TITLE BAND
    DOR
    REVIEWER DATE
    InfestissumamGhost
    2013
    Greg Watson6/10/2014
    MelioraGhost
    2015
    T. Ray Verteramo9/3/2015
    MelioraGhost
    2015
    Greg Watson9/3/2015
    Opus EponymousGhost
    2011
    Greg Watson2/10/2012


    ALL SUMMARY REVIEWS FOR: GHOST

    No Summary reviews currently exist for them.


    ALL INTERVIEWS FOR: GHOST
    INTERVIEW BAND INTERVIEWER DATE


    YOU MAY ALSO LIKE THESE PROGRESSIVE STYLED RELEASES:


    << back >>






    ERIC COMPTON PICKS
    Bullet
    Highway Pirates
    Havok
    Conformicide
    Casablanca
    Apocalyptic Youth
    Glenn Hughes
    Resonate
    Jack Blades
    Rock 'N Roll Ride

    GREG WATSON PICKS
    The Unguided
    Lust and Loathing
    Nile
    At the Gate of Sethu
    The Lightbringer
    Heptanity
    Evil Drive
    The Land of the Dead
    Unleashed
    Dawn of the Nine

    FRANK HILL PICKS
    Unleash the Archers
    Apex
    Helloween
    Gambling with the Devil
    Armory
    The Dawn Of Enlightenment
    Monster Truck
    Sittin' Heavy
    Born of Fire
    Dead Winter Sun

    DAVID LOVELESS PICKS
    Frosthardr
    Varg
    Marduk
    Frontschwein
    The Chronicles of Israfel
    Starborn, Tome I
    Naglfar
    Harvest
    Akercocke
    Antichrist