Navigate: main >> reviews
F U L L . R E V I E W S



Holy Grail
Ride The Void

Company: Nuclear Blast
Release: 2013
Genre: Power thrash
Reviewer: EC

  • Tons of rapid fire riffs



  • Three years removed from the scorching debut "Crisis In Utopia" the Pasadena youths are back at the front door. Same label and same intensity and fire as before, this time a little more framed in and less chaotic through the speed sections. The group has a new guitarist this time in Alex Lee, formerly of Bonded By Blood and 2013 shows a "veteran band" fresh off worldwide runs with Hellyeah, Cauldron, Valient Thorr, Blind Guardian and Toxic Holocaust.

    "Ride The Void" runs rampant with tons of rapid fire riffs and Luna's mid to high register. The debut had more speed and falsetto where this sophomore release shores up the middle and low end with more beefy grooves and a constant barrage of double bass. Songs like the strong opener "Bestia Triumphans" show off some new aggressive elements; groove based riffs over growling vocals and chunky groove. I've read where fans were upset that this is metalcore but I strongly disagree. The tendency to mosh is there but plenty of speed and finesse in the traditional aspect is very much alive on this new album. It's a good mix of tradition and modern capability.

    Faster cuts like "Dark Passenger", "Crosswinds" and Bleeding Stone" are built from the same engine as the debut, galloping riffs and classical solos. I swear the band sounds like Fozzy often enough, a dead ringer on mid-paced "Too Decayed To Wait" (slight hard rock) and "Silence The Scream". "Rains Of Sorrow" divorces the Holy Grail sound, a more modern rock song with the afore mentioned growls. It may turn off some older fans (this is only a sophomore!) but definitely shows the band aren't opposed to progression.


    About this Writer:
    Eric Compton // Eric Compton lives in the most haunted city in the world, St. Augustine, Florida with his family and two yorkies. He has served as senior editor for MaximumMetal.com for nearly 10 years and is the author of the heavy metal book series--Denim & Letters. His reviews, interviews and social commentary has been featured on websites like Brave Words, Blabbermouth, Metal Temple, Metal Rules, Ultimate Metal, Metal Maniacs and Wikipedia.

    Maximum Metal Rating Legend - Click for Full Details
    5 Excellent - Buy it and say a prayer to the metal gods that you were tuned on to this masterpiece. A classic.
    4-4.5 Great - Almost perfect records but there's probably a clunker or a lacking somewhere to keep it from perfection. You won't feel bad about dropping some bones on these.
    3.5 Good - Most of the record is good, but there may be some filler. This is the OK range where you'd search for the record on sale or used.
    3 Average - Some good songs, some bad ones at about a half/half ratio. Could show skills but be dull overall. Redeeming qualities for indy bands are effort and passion. Majors that don't try or suck outright end up here.
    2-2.5 Fair - Worth a listen, but best obtained by collectors. There is much better metal out there.
    1-1.5 Bad - Major problems with music, lyrics, production, etc.
    0 Terrible or an otherwise waste of your life and time.

    Note: Reviews are graded from 0-5, anything higher or not showing is from our old style. Scores, however, do not reveal the important features. The written review that accompanies the ratings is the best source of information regarding the music on our site. Reviewing is opinionated, not a qualitative science, so scores are personal to the reviewer and could reflect anything from being technically brilliant to gloriously cheesy fun.

    Demos and independent releases get some slack since the bands are often spent broke supporting themselves and trying to improve. Major releases usually have big financial backing, so they may be judged by a heavier hand. All scores can be eventually adjusted up or down by comparison of subsequent releases by the same band. We attempt to keep biases out of reviews and be advocates of the consumer without the undo influence of any band, label, management, promoter, etc.

    The best way to determine how much you may like certain music is to listen to it yourself.



    ALL FULL REVIEWS FOR: HOLY GRAIL
    CD
    TITLE BAND
    DOR
    REVIEWER DATE
    Ride The VoidHoly Grail
    2013
    Eric Compton3/14/2013


    ALL SUMMARY REVIEWS FOR: HOLY GRAIL
    TITLE BAND
    DOR
    REVIEWER DATE
    Improper BurialHoly Grail
    2010
    Eric Compton8/5/2010
    Seasons BleedingsHoly Grail
    2011
    Frank Hill1/7/2012
    Times of Pride & PerilHoly Grail
    2016
    Eric Compton3/17/2016


    ALL INTERVIEWS FOR: HOLY GRAIL
    INTERVIEW BAND INTERVIEWER DATE


    YOU MAY ALSO LIKE THESE THRASH STYLED RELEASES:


    << back >>






    ERIC COMPTON PICKS
    Pain
    Coming Home
    Daniel Trigger
    Army of One
    Los Sin Nombre
    Blind Leading Blind
    Ravage
    Return of the Spectral Rider
    Loudness
    Eve To Dawn

    GREG WATSON PICKS
    Descent Into Maelstrom
    Descent Into Maelstrom
    Church of Disgust
    Veneration of Filth
    Xoth
    Invasion of the Tentacube
    Shredhead
    Death Is Righteous
    Clark Ashton Smith
    The Muse of Hyperborea

    FRANK HILL PICKS
    Honeymoon Disease
    The Transcendence
    ASG
    Win Us Over
    Five Finger Death Punch
    The Way of the Fist
    Metallica
    Death Magnetic
    Queensryche
    Condition Hüman

    DAVID LOVELESS PICKS
    Akercocke
    Antichrist
    Marduk
    Frontschwein
    Ensiferum
    Victory Songs
    Alestorm
    No Grave But The Sea
    Gorefest
    Rise To Ruin