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Ihsahn
Angl

Company: Candlelight Records
Release: 2008
Genre: Black, progressive
Reviewer: Grim Gaijin

  • Proves the versatility of his music



  • The original breakup of Emperor was a sad day for the Black Metal community. Just when they were at their peak, they vowed to quit while they were ahead. However, the great relief came when Ihsahn announced the beginning of his solo career, and with the release of his first album, The Adversary, he gave us a continued dose of inspired metal. Although there were several similarities with his solo album and Emperor, there were great differences too - less black metal, more progressive rock elements, and an overall dab into many other metal sub-genres. Now Ihsahn is back with his second solo effort, Angl, and he once again proves the versatility of his music and the range of his vocals.

    Angl starts off with Misanthrope - a throwback to Prometheus-era Emperor albeit with an updated sound. There are even a couple of King Diamond moments in the song, adding to the music dynamically. The next song, Scarab, has an incredible progressive riff, layered with Ihsahn's mid-level Black Metal vocal range. In mid song, there is a a short piano part, coupled with clean vocals that blend in perfectly with song before blasting into a short Dream Theater-like melodic riff. The next song, Unhealer, is a very melodic song featuring the vocal talents of Opeth's Mikael Akerfeldt (on both clean vocals and death growls). When Mikael's death growls trade off with Ihsahn's Black Metal screams, it's enough to send shivers up and down your spine. Emancipation is a very progressive song with a nice, catchy chorus. Ihsahn shows a nice vocal range on this track - ranging from clean vocals to raspy screams. Malediction is an aggressive Black Metal song featuring crushing blast beats and traditional Emperor melodies. The guitar solo in this track shows that Ihsahn has what it takes to be a world-class guitarist. Alchemist is full of technical wizardry, in the vein of Symbolic-era Death and the vocals resemble the early works of David Bowie. Elevator is a very interesting track, as the guitar work really makes you feel as if you are actually in an elevator heading straight to hell! Threnody features some beautiful acoustic guitars and Ihsahn's clean vocals seem to get better and better - especially on this track. The album closer, Monolith, starts off as a beautiful acoustic arrangement before churning out some classic Emperor riffs.

    Ihsahn continues to prove that his post-Emperor work is just as relevant as Emperor itself. Continually improving on the metal that he does know and play best, while incorporating such a broad range of other styles of music, shows Ihsahn's never ending talents. I believe that fans of Emperor will truly enjoy this more than The Adversary and fans of other types of metal will equally enjoy it as well. I'm very curious as to how far Ihsahn will continue to push the boundaries. Until that happens, I will truly enjoy the music that makes up Angl.



    About this Writer:
    David Loveless // Dave's early introduction to Metal was listening to records by Black Sabbath and Kiss. Discovering Metallica's Master of Puppets on record at the local public library turned his world upside down. After spending nearly 24 years in Japan and expanding his love for the International underground metal scene, Dave (and family) now resides in the US. The savage brutality of Extreme Metal brings out the "Grim Gaijin" in him.

    Maximum Metal Rating Legend - Click for Full Details
    5 Excellent - Buy it and say a prayer to the metal gods that you were tuned on to this masterpiece. A classic.
    4-4.5 Great - Almost perfect records but there's probably a clunker or a lacking somewhere to keep it from perfection. You won't feel bad about dropping some bones on these.
    3.5 Good - Most of the record is good, but there may be some filler. This is the OK range where you'd search for the record on sale or used.
    3 Average - Some good songs, some bad ones at about a half/half ratio. Could show skills but be dull overall. Redeeming qualities for indy bands are effort and passion. Majors that don't try or suck outright end up here.
    2-2.5 Fair - Worth a listen, but best obtained by collectors. There is much better metal out there.
    1-1.5 Bad - Major problems with music, lyrics, production, etc.
    0 Terrible or an otherwise waste of your life and time.

    Note: Reviews are graded from 0-5, anything higher or not showing is from our old style. Scores, however, do not reveal the important features. The written review that accompanies the ratings is the best source of information regarding the music on our site. Reviewing is opinionated, not a qualitative science, so scores are personal to the reviewer and could reflect anything from being technically brilliant to gloriously cheesy fun.

    Demos and independent releases get some slack since the bands are often spent broke supporting themselves and trying to improve. Major releases usually have big financial backing, so they may be judged by a heavier hand. All scores can be eventually adjusted up or down by comparison of subsequent releases by the same band. We attempt to keep biases out of reviews and be advocates of the consumer without the undo influence of any band, label, management, promoter, etc.

    The best way to determine how much you may like certain music is to listen to it yourself.



    ALL FULL REVIEWS FOR: IHSAHN
    CD
    TITLE BAND
    DOR
    REVIEWER DATE
    AfterIhsahn
    2010
    Raising Iron3/4/2010
    AnglIhsahn
    2008
    David Loveless5/5/2009
    The AdversaryIhsahn
    2006
    Troy Cole11/9/2007


    ALL SUMMARY REVIEWS FOR: IHSAHN

    No Summary reviews currently exist for them.


    ALL INTERVIEWS FOR: IHSAHN
    INTERVIEW BAND INTERVIEWER DATE


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