F U L L . R E V I E W S



Iron Kobra
Might & Magic

Company: Dying Victims
Release: 2015
Genre: Traditional
Reviewer: Eric Compton
  • Classic Metal



  • In the realms of NWOTHM the typical sound is modeled from the 1979-1983 era, that time frame represented so well by the newer legions in Enforcer, Cauldron, The Dagger and Black Trip. Germany's Iron Kobra represents a cross-section of the traditional metal movement made famous decades ago by the likes of Cirith Ungol, Warlord, Virgin Steele and Manilla Road. That sound has been perfected for years by droves of new bands throughout the 90s and 00s. Much like Solemnity, Ironsword and Battleroar, Iron Kobra have produced a consistent stream of quality work for the last seven years.

    The band began with limited fifty copy pressing of their 'Cult of the Snake' demo in 2009, sold at the "Raging Death Date" festival in Germany. The CD-R was later released in 2010 as a cassette by Dying Victims (Iron Curtain, Borrowed Time) as well as a re-release split CD with Witchcurse by the La Medula Espinal label. In 2010 the band released their 'Battlesword' EP via Battle Cry Records. That same year a cassette live recording, 'Live at Crom's Place', Ahrenburg appeared via Maxima Destruccion. The eight song set was recorded live in Ahrenburg.

    In 2012 War Productions released two EPs from the band, 'Teutonic Tyrants' and 'Avenger'. In December of 2012 Iron Kobra released their much anticipated debut full-length album, 'Dungeon Masters', through Dying Victims. The album featured several cuts from the group's previous releases, re-worked and re-recorded, as well as new tracks. The album was mixed, mastered and recorded by Wally Walldorf, known for his studio work on Metal Inquisitor, Metalucifer and Desaster. The prominent sound was a good mix of power ("Dungeon Master"), speed ("Speedbiker") and the traditionalism ("Valhalla Rock", "Metal Rebel", "Ronin"). The band supported the release with performances with Paul Di'Anno (ex-Iron Maiden) at the Metal City Festival as well as the Raging Steel and Helvete Oberhausen.

    In 2014 the band played festivals like Storm Crusher and Metalheadz Open Air with the likes of Stallion, Ruler, Enforcer and Ruthless Steel before entering the studio to record their sophomore release 'Might & Magic' once again for Dying Victims. The band chose relative newcomer Peter Nawotka to record the album with bass engineering done by Jolle (Mandatory, Iron Thor). Continuing the debut's homogeneous mix of speed and traditionalism, 'Might & Magic' posesses that same firm grasp of denim and leather. Tracks like 'Watch the Skies' is firmly ensconsed in Maiden's twin guitar culture while 'Born to Play on 10' is the typical Teutonic ampage, complete with speed picking and a double-bass battery. 'Cult of the Snake' shows a bit more of an intricate arrangement, bordering on mid-era Blind Guardian.

    Look for the band on the road this year with the likes of Night Demon and also the Harder than Steel Festival with Metal Inquisitor and Iron Angel. With positive reviews from the industry and a recent 10,000 plays on Bandcamp, the band are truly emerging as a top tier representation of today's classic metal.


    About this Writer:
    Eric Compton // Eric Compton lives in the most haunted city in the world, St. Augustine, Florida with his family and two yorkies. He has contributed to MaximumMetal.com since it's conception in 2003. His reviews, interviews and social commentary has been featured on websites like Brave Words, Blabbermouth, Metal Temple, Metal Rules, Ultimate Metal, Metal Maniacs and Wikipedia. You can also find him on his paperbackwarrior.com blog discussing all things action and adventure.

    Maximum Metal Rating Legend - Click for Full Details
    5 Excellent - Buy it and say a prayer to the metal gods that you were tuned on to this masterpiece. A classic.
    4-4.5 Great - Almost perfect records but there's probably a clunker or a lacking somewhere to keep it from perfection. You won't feel bad about dropping some bones on these.
    3.5 Good - Most of the record is good, but there may be some filler. This is the OK range where you'd search for the record on sale or used.
    3 Average - Some good songs, some bad ones at about a half/half ratio. Could show skills but be dull overall. Redeeming qualities for indy bands are effort and passion. Majors that don't try or suck outright end up here.
    2-2.5 Fair - Worth a listen, but best obtained by collectors. There is much better metal out there.
    1-1.5 Bad - Major problems with music, lyrics, production, etc.
    0 Terrible or an otherwise waste of your life and time.

    Note: Reviews are graded from 0-5, anything higher or not showing is from our old style. Scores, however, do not reveal the important features. The written review that accompanies the ratings is the best source of information regarding the music on our site. Reviewing is opinionated, not a qualitative science, so scores are personal to the reviewer and could reflect anything from being technically brilliant to gloriously cheesy fun.

    Demos and independent releases get some slack since the bands are often spent broke supporting themselves and trying to improve. Major releases usually have big financial backing, so they may be judged by a heavier hand. All scores can be eventually adjusted up or down by comparison of subsequent releases by the same band. We attempt to keep biases out of reviews and be advocates of the consumer without the undo influence of any band, label, management, promoter, etc.

    The best way to determine how much you may like certain music is to listen to it yourself.



    ALL FULL REVIEWS FOR: IRON KOBRA
    CD
    TITLE BAND
    DOR
    REVIEWER DATE
    Might & MagicIron Kobra
    2015
    Eric Compton5/21/2015


    ALL SUMMARY REVIEWS FOR: IRON KOBRA

    No Summary reviews currently exist for them.


    ALL INTERVIEWS FOR: IRON KOBRA
    INTERVIEW BAND INTERVIEWER DATE
    Don ViperIron KobraTroy Cole9/25/2015


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