F U L L . R E V I E W S



Saxon
Sacrifice

Company: UDR
Release: 2013
Genre: NWOBHM, Traditional
Reviewer: EC

  • Saxon aren't going anywhere soon



  • "Sacrifice" is the perfect album title for Saxon's twentieth album to date. I can't imagine the mileage and baggage that is housed on Biff's back after decades of weary road travel and the everyday grind of being in a band. Unlike bands like Maiden and Priest I can't picture that this NWOBHM pioneer is cashing the same checks as Tipton, Downing and Harris. Yet, sacrifice is ultimately the rhyme and reason for Saxon's proverbial fountain of youth. The band have given up the normal life and its luxuries to travel the world as a working performer and year after year the group consistently deliver the goods on stage, on the road and in the studio--sacrificing a lifetime for metal fans.

    This new album comes by way of UDR (Motörhead, Girlschool) and is mixed, mastered and co-produced by the esteemed Andy Sneap. The end result is a powerful sound laced with high-end technology and Biff's blitzkrieg of furious vocals. This is a stellar follow up to the monumental "Call To Arms" and gives fans a real heavy power metal album similar to "Into The Labyrinth" mixed with the speedy tactics of "The Inner Sanctum".

    "Sacrifice" is firmly built around the modern Saxon sound that has flourished and thrived since 2000. The title track is laced with a driving metallic riff that builds on double bass and Biff's "Sacrifice" chants. "Made In Belfast" and "Guardians Of The Tomb" flirts with Megadeth styled thrash elements while "Stand Up And Fight" flourishes with that 80s anthemic formula. "Standing In A Queue" is simply Saxon of old, dirty British rock and roll that finishes the album off with pounding proof that Saxon aren't going anywhere soon, sure to carry on with the same intensity that fueled "Wheels Of Steel" all of those years ago.


    About this Writer:
    Eric Compton // Eric Compton lives in the most haunted city in the world, St. Augustine, Florida with his family and two yorkies. He has contributed to MaximumMetal.com since it's conception in 2003. His reviews, interviews and social commentary has been featured on websites like Brave Words, Blabbermouth, Metal Temple, Metal Rules, Ultimate Metal, Metal Maniacs and Wikipedia. You can also find him on his paperbackwarrior.com blog discussing all things action and adventure.

    Maximum Metal Rating Legend - Click for Full Details
    5 Excellent - Buy it and say a prayer to the metal gods that you were tuned on to this masterpiece. A classic.
    4-4.5 Great - Almost perfect records but there's probably a clunker or a lacking somewhere to keep it from perfection. You won't feel bad about dropping some bones on these.
    3.5 Good - Most of the record is good, but there may be some filler. This is the OK range where you'd search for the record on sale or used.
    3 Average - Some good songs, some bad ones at about a half/half ratio. Could show skills but be dull overall. Redeeming qualities for indy bands are effort and passion. Majors that don't try or suck outright end up here.
    2-2.5 Fair - Worth a listen, but best obtained by collectors. There is much better metal out there.
    1-1.5 Bad - Major problems with music, lyrics, production, etc.
    0 Terrible or an otherwise waste of your life and time.

    Note: Reviews are graded from 0-5, anything higher or not showing is from our old style. Scores, however, do not reveal the important features. The written review that accompanies the ratings is the best source of information regarding the music on our site. Reviewing is opinionated, not a qualitative science, so scores are personal to the reviewer and could reflect anything from being technically brilliant to gloriously cheesy fun.

    Demos and independent releases get some slack since the bands are often spent broke supporting themselves and trying to improve. Major releases usually have big financial backing, so they may be judged by a heavier hand. All scores can be eventually adjusted up or down by comparison of subsequent releases by the same band. We attempt to keep biases out of reviews and be advocates of the consumer without the undo influence of any band, label, management, promoter, etc.

    The best way to determine how much you may like certain music is to listen to it yourself.



    ALL FULL REVIEWS FOR: SAXON
    CD
    TITLE BAND
    DOR
    REVIEWER DATE
    Call To ArmsSaxon
    2011
    Eric Compton7/2/2011
    Dogs Of War (Reissue)Saxon
    2006
    Eric Compton3/31/2006
    Into The LabyrinthSaxon
    2008
    Eric Compton11/29/2008
    LionheartSaxon
    2004
    Eric Compton3/7/2006
    LionheartSaxon
    2004
    Eric Compton9/15/2004
    SacrificeSaxon
    2013
    Eric Compton4/26/2013
    The Inner SanctumSaxon
    2007
    Eric Compton8/17/2007
    ThunderboltSaxon
    2018
    Eric Compton1/25/2018


    ALL SUMMARY REVIEWS FOR: SAXON

    No Summary reviews currently exist for them.


    ALL INTERVIEWS FOR: SAXON
    INTERVIEW BAND INTERVIEWER DATE


    YOU MAY ALSO LIKE THESE TRADITIONAL STYLED RELEASES:


    << back >>






    ERIC COMPTON PICKS
    Jackyl
    When Moonshine And Gasoline Collide
    Blessed By A Broken Heart
    Feel The Power
    Diamond Head
    Diamond Head
    Poisonblack
    Drive
    Amorphis
    Circle

    GREG WATSON PICKS
    Lacuna Coil
    Broken Crown Halo
    Inconcessus Lux Lucis
    The Crowning Quietus
    Six Feet Under
    Unborn
    Belphegor
    Totenritual
    Exhumation
    Bread Buttered On Both Sides

    FRANK HILL PICKS
    Unleash the Archers
    Apex
    Biomechanical
    Cannabalised
    Born of Fire
    Heavy Metal Hot Sauce
    Volbeat
    Rock The Rebel / Metal The Devil
    Helloween
    Gambling with the Devil

    DAVID LOVELESS PICKS
    Deathspell Omega
    Veritas Diaboli…
    Gorefest
    Rise To Ruin
    Gigan
    Undulating Waves Of Rainbiotic Iridescence
    Aetherius Obscuritas
    Viziok
    Doom Side Of The Moon
    Doom Side Of The Moon