F U L L . R E V I E W S



To-Mera
Delusions

Company: Candlelight
Release: 2008
Genre: Progressive
Reviewer: Raising Iron

  • For the metal connoisseur looking for something very unique



  • To-Mera's sophomore effort, Delusions, is an enterprising excursion for the adventuresome (prog) metal fan. Starting as recently as 2005 and hailing from the UK, these guys (and girl) are making waves not only in proghead circles but also metal in general; the reason being is their uncanny ability to fuse strong elements of jazz into their metal revolutions. There are even subtle, gothic underpinnings in the whole affair.

    The album starts off with a riff directly out of Dream Theatre's modern-day playbook in a song called "The Lie", and by the time it hits the chorus you may be wondering if its To-Mera's Julie Kiss singing or if Christina Scabbia is moonlighting. At times the similarities are remarkable, but Julie's vocals wander into traditional jazz territories throughout the album, allowing her to make her own singular mark on the recording. This is often accompanied by meandering keyboards again using jazzy scales. Now, lest ye think To-Mera are some kind of plagiarists, think again, these are merely points of reference as they are really forging new ground here, the idea of melding jazz and metal has probably not occurred to many, and of those only a few would even try (or have the skill set to!). The compositional movements are sometimes seamless, sometimes not, and given the juxtaposition of styles presented that's not an easy task. Oft times the changes can be a bit jarring though, see track six entitled "Asylum". The movement at about the two/two and a half minute mark reminds me of Lisa Simpson going off in her own direction much to the chagrin of the other players in the opening credits of that venerable TV show. Yes, it is a sax solo, and no, the melody is nowhere near being a rip-off, it's just the composition of the movement that will have you thinking such.

    The musicianship is absolutely outstanding with far-out time changes wrapped around a wealth of styles, with every instrument breathing open and freely, but as usual with most progressive albums, the production is beyond squeaky clean, which by definition makes the listening more of a cerebral event than a headbanging one.

    There is a lot of good stuff crammed into this 62 minute trek, allowing you to discover new things upon repeated listens, but it's clear this is only their second album. Songs can feel disjointed at times but hey, like I said earlier, the fusion of disparate styles being mashed together is not an easy job, and I'd imagine there isn't anybody out there who attempting such could come close to how well To-Mera do it. All in all, a worthwhile purchase for the metal connoisseur looking for something very unique, and in today's glutted prog world, that's not an easy task either.


    Maximum Metal Rating Legend - Click for Full Details
    5 Excellent - Buy it and say a prayer to the metal gods that you were tuned on to this masterpiece. A classic.
    4-4.5 Great - Almost perfect records but there's probably a clunker or a lacking somewhere to keep it from perfection. You won't feel bad about dropping some bones on these.
    3.5 Good - Most of the record is good, but there may be some filler. This is the OK range where you'd search for the record on sale or used.
    3 Average - Some good songs, some bad ones at about a half/half ratio. Could show skills but be dull overall. Redeeming qualities for indy bands are effort and passion. Majors that don't try or suck outright end up here.
    2-2.5 Fair - Worth a listen, but best obtained by collectors. There is much better metal out there.
    1-1.5 Bad - Major problems with music, lyrics, production, etc.
    0 Terrible or an otherwise waste of your life and time.

    Note: Reviews are graded from 0-5, anything higher or not showing is from our old style. Scores, however, do not reveal the important features. The written review that accompanies the ratings is the best source of information regarding the music on our site. Reviewing is opinionated, not a qualitative science, so scores are personal to the reviewer and could reflect anything from being technically brilliant to gloriously cheesy fun.

    Demos and independent releases get some slack since the bands are often spent broke supporting themselves and trying to improve. Major releases usually have big financial backing, so they may be judged by a heavier hand. All scores can be eventually adjusted up or down by comparison of subsequent releases by the same band. We attempt to keep biases out of reviews and be advocates of the consumer without the undo influence of any band, label, management, promoter, etc.

    The best way to determine how much you may like certain music is to listen to it yourself.



    ALL FULL REVIEWS FOR: TO-MERA
    CD
    TITLE BAND
    DOR
    REVIEWER DATE
    DelusionsTo-Mera
    2008
    Etiam1/7/2010
    DelusionsTo-Mera
    2008
    Raising Iron11/29/2008
    TranscendentalTo-Mera
    2006
    Etiam11/14/2008


    ALL SUMMARY REVIEWS FOR: TO-MERA

    No Summary reviews currently exist for them.


    ALL INTERVIEWS FOR: TO-MERA
    INTERVIEW BAND INTERVIEWER DATE


    YOU MAY ALSO LIKE THESE PROGRESSIVE STYLED RELEASES:


    << back >>






    ERIC COMPTON PICKS
    Steel Seal
    Redemption Denied
    Ektomorf
    Redemption
    Sinner
    One Bullet Left
    D-Metal Stars
    Metal Disney
    Prong
    Zero Days

    GREG WATSON PICKS
    Párados
    Catharsis
    Septicflesh
    Titan
    Lacuna Coil
    Delirium
    Bloodbound
    Stormborn
    Testament
    Dark Roots of Earth

    FRANK HILL PICKS
    Gentlemens Pistols
    S/T
    Overkill
    The Grinding Wheel
    Oceans of Night
    Domain
    Unleash the Archers
    Apex
    Crimson Shadows
    Kings Among Men

    DAVID LOVELESS PICKS
    Alestorm
    No Grave But The Sea
    Hatebreed
    The Concrete Confessional
    Retrospective
    Spectrum Of The Green Morning
    Earthrise
    Eras Lost
    Architect
    All Is Not Lost