F U L L . R E V I E W S


Udo just doesn't stop. Between precursor EP releases, full lengths, live records and the occasional DVD this tiny German with the big voice has become the eternal icon consistently putting his face out there year after year. AFM has stood by him for the better part of a decade giving this talented showman the ability to constantly release albums. With the recent success of Accept one has to question Udo's decision to stay with his solo venture. He obviously has been putting out the same record year after year with very little in the way of advancement or diversity. Nevertheless there is the oddly titled "Rev Raptor" to mark Udo's thirteenth solo record to date.

The band once again use Stefan Kaufman to produce and record in the same studio they have used for the last ten years. I really wish Udo would visit Denmark or England and grab one of today's cutting edge producers to do something a little different with the guitar tone and vocals. With these records, including this new one, the guitar tone is just missing any bottom end, as if all the bottom tone is just mixed high and given way to much treble to really shake it. It is a slippery slope considering this man's tenure and experience...would you tell Lemmy to mix it up at this point in his career?

"Rev Raptor" is a decent offering considering these songs have absolutely been done to death. The band at this point is suffering from creative drive (and has been since the 90s) and way too many recycled-rehashed Accept grooves. Udo's releases utilize the same cookie cutter mold with tracks that are braced with mid-tempo grooves and quick-paced numbers that use the familiar gang vocals for emphasis. The drums are so insufficient and complacent, sounding like they were phoned in from last night's stop. Anthems, power ballads and mandatory German rockers are all intact here and for the most part the songs themselves are catchy. But I'll be damned if I'm not doing the math in my head the whole time and calculating which riffs were used where (Grave Digger, Scorpions, Accept, U.D.O). Lordy Mercy the German jar is running low.
About this Writer:
Eric Compton // Eric Compton lives in the most haunted city in the world, St. Augustine, Florida with his family and two yorkies. He has contributed to MaximumMetal.com since it's conception in 2003. His reviews, interviews and social commentary has been featured on websites like Brave Words, Blabbermouth, Metal Temple, Metal Rules, Ultimate Metal, Metal Maniacs and Wikipedia. You can also find him on his paperbackwarrior.com blog discussing all things action and adventure.

Maximum Metal Rating Legend - Click for Full Details
5 Excellent - Buy it and say a prayer to the metal gods that you were tuned on to this masterpiece. A classic.
4-4.5 Great - Almost perfect records but there's probably a clunker or a lacking somewhere to keep it from perfection. You won't feel bad about dropping some bones on these.
3.5 Good - Most of the record is good, but there may be some filler. This is the OK range where you'd search for the record on sale or used.
3 Average - Some good songs, some bad ones at about a half/half ratio. Could show skills but be dull overall. Redeeming qualities for indy bands are effort and passion. Majors that don't try or suck outright end up here.
2-2.5 Fair - Worth a listen, but best obtained by collectors. There is much better metal out there.
1-1.5 Bad - Major problems with music, lyrics, production, etc.
0 Terrible or an otherwise waste of your life and time.

Note: Reviews are graded from 0-5, anything higher or not showing is from our old style. Scores, however, do not reveal the important features. The written review that accompanies the ratings is the best source of information regarding the music on our site. Reviewing is opinionated, not a qualitative science, so scores are personal to the reviewer and could reflect anything from being technically brilliant to gloriously cheesy fun.

Demos and independent releases get some slack since the bands are often spent broke supporting themselves and trying to improve. Major releases usually have big financial backing, so they may be judged by a heavier hand. All scores can be eventually adjusted up or down by comparison of subsequent releases by the same band. We attempt to keep biases out of reviews and be advocates of the consumer without the undo influence of any band, label, management, promoter, etc.

The best way to determine how much you may like certain music is to listen to it yourself.



ALL FULL REVIEWS FOR: U.D.O.
CD
TITLE BAND
DOR
REVIEWER DATE
24/7U.D.O.
2005
Eric Compton8/17/2005
DecadentU.D.O.
2014
Eric Compton3/10/2015
Metallized - Best ofU.D.O.
2007
Sinnercorp8/1/2008
Nailed To Metal--The Missing TracksU.D.O.
2003
Ken Pierce6/29/2004
Rev RaptorU.D.O.
2011
Eric Compton10/23/2011
ThunderballU.D.O.
2004
Eric Compton11/29/2004


ALL SUMMARY REVIEWS FOR: U.D.O.

No Summary reviews currently exist for them.


ALL INTERVIEWS FOR: U.D.O.
INTERVIEW BAND INTERVIEWER DATE


YOU MAY ALSO LIKE THESE POWER STYLED RELEASES:


<< back >>






ERIC COMPTON PICKS
Black Star Riders
Killer Instinct
HammerFall
Infected
Scheepers
Scheepers
Jackyl
When Moonshine And Gasoline Collide
Sea
Sea

GREG WATSON PICKS
Decapitated
Blood Mantra
The Offering
The Offering EP
Nemus
Wald-Mensch
Clark Ashton Smith
The Muse of Hyperborea
Calabrese
Lust for Sacrilege

FRANK HILL PICKS
Metallica
Death Magnetic
Madame Torment
Lost Girl in the City
Oceans of Night
Domain
Gentlemens Pistols
S/T
Monster Truck
Sittin' Heavy

DAVID LOVELESS PICKS
Earthrise
Eras Lost
Galactic Empire
Galactic Empire
Alestorm
No Grave But The Sea
Wolves in the Throne Room
Black Cascade
Ulcerate
The Destroyers Of All