Maximum Metal Rating Legend
5 Excellent - Masterpiece. A classic.
4.5-4 Great - Almost perfect records but there's probably a lacking.
3.5 Good - Most of the record is good, but there may be some filler.
3 Average - Some good songs, some bad ones at about a half/half ratio.
2.5-2 Fair - Worth a listen, but best obtained by collectors.
1.5-1 Bad - Major problems with music, lyrics, production, etc.
0 Terrible - Waste of your life and time.

Note: Reviews are graded from 0-5, anything higher or not showing is from our old style. Scores, however, do not reveal the important features. The written review that accompanies the ratings is the best source of information regarding the music on our site. Reviewing is opinionated, not a qualitative science, so scores are personal to the reviewer and could reflect anything from being technically brilliant to gloriously cheesy fun.

Demos and independent releases get some slack since the bands are often spent broke supporting themselves and trying to improve. Major releases usually have big financial backing, so they may be judged by a heavier hand. All scores can be eventually adjusted up or down by comparison of subsequent releases by the same band. We attempt to keep biases out of reviews and be advocates of the consumer without the undo influence of any band, label, management, promoter, etc.

The best way to determine how much you may like certain music is to listen to it yourself.
Band
Malstrom
Title
Demo 2003
Type
LP/EP
Company
Independent
YOR
2003
Style
Traditional
12/5/2003 - Review by: Eric Compton
Tons of NwOBHM stylings
These guys play some pretty odd traditional metal. This new EP features tons of NwOBHM stylings, you know...twin guitar, melody, quick timing changes, precise skin bashing...but the vocalist isn't like Bruce. He's certainly not like Rob. He's not even like...well..a clean singer. He sort of just shouts whatever he is saying on this release.

Its pretty odd stuff if you think about it. The music hits me just fine, with my heart deeply suited to this traditional sound. But these vocals are just shouted one step away from hardcore, leaning heavily to the Dismember rumblings of old, or even venturing into valleys of Crowbar and Messiah AD. Not much really happening at the mike here. Lets talk about the songs...

Opener "Empty Sky" suits up nicely, with new wave sensations and a nice pattern of rythmic pounding. You know how I feel about the vocals so we will move past that. Next track "Into The Malstrom" plunges on like Maiden meets bad vocals (sorry I just can't let it go). This is pretty decent fare here musically, with plenty of good harmony to soothe the listener. "Horrorshow" kicks off with a nice little acoustic medley and frolics on with a heavy hit of Gothenburg themed malice. Nothing much I can really say here, just alot of bad vocals. "The Killingfield" ends this EP with more great guitar playing and a thrash groove that seems to make this track the best of the bunch.

Needless to say this band needs a serious overhaul, mainly in the vocal department. I'm wondering if the production might help his pipes a little. Why continue with this vocalist? Please guys, lets take the listener into effect when creating this stuff.

1. Empty Sky
2. Into The Maelstrom
3. Horrorshow
4. The Killingfield
  • 1 :REVIEW COUNT
    N/A :AVE RATING

ALL REVIEWS FOR: MALSTROM
TITLE
DOR
COMPANY
REVIEWER DATE MADE RATING
Demo 2003
2003
Independent
Eric Compton12/5/2003
-
Obligated By Obscurity
2004
Independent
Eric Compton1/1/2005
-
The World Will Be Lost
2006
Independent
Troy Cole5/7/2007
-

ALL INTERVIEWS FOR: MALSTROM
INTERVIEW INTERVIEWER DATE TAGLINE


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